Friday, November 1, 2013

Seven Questions with Chris Charlton from Assailant Comics




On October 19, at KokomoCon (Kokomo, IN), I had the privilege to meet Chris Charlton at his booth for Assailant Comics, http://assailantcomics.com

While there we talked about Binary Gray and their two other titles. Fortunately Mr. Charlton was able to take some time and answer seven questions for us at Hammond Comics Blog. – Arthur Black

AB - I have read the first two issues of Binary Gray and really liked them. How did you come up with the idea for of Binary Gray and the main character for Alex Gray?

CC - First off, Arthur, thank you for taking the time to talk with me and I’m really glad you enjoyed the first two issues!  The idea for Binary Gray was actually hatched from my own work as an IT Technician.  I was never electrocuted thankfully, but I definitely had moments where I would day dream about the ability to talk to computers and speed up the troubleshooting, diagnosis and repair process.  This is Alex’s power in a nutshell – the ability to communicate with electronics through physical contact.  Once I started to explore that, I thought it would be interesting to juxtapose against a world where there are other heroes and villains who are more powerful on a physical level – super strength, speed, flight, etc.  Comparatively, Alex doesn’t see himself as “powerful”, and I think that makes him a more relatable character and definitely fits more with his self-deprecating sense of humor and general outlook on life.  He’s not a very happy camper, but in this day and age, he is actually EXTREMELY powerful and the readers are along for the ride as he discovers just what he’s capable of.


AB - There are some pretty advanced electronics in the world. Are there any processing speed limitations for Alex Gray? What would happen if either a computer or Alex pushed the limitations of the other?

CC - Other than Alex’s ability to “hackess” secure networks, which has more to do with the speed of his abilities trying combinations of code, I don’t think that there are necessarily any rules of physics or electronics being broken.  It’s the speed of his power and the calculations taking place in his brain (the ultimate CPU) that allow him to access multiple networks at once to get what he’s after.  Since part of the storyline is Alex searching for his father’s killer and the memory/dream of his death is a recurring theme in the first arc, I thought it was interesting to show how his brain starts behaving more like a hard drive as his powers evolve – actually recovering and storing memories like files on a server.  I would personally jump at the chance to have the ability to clearly recall memories (especially from childhood).  Who wouldn’t?!



AB - What can we expect of Binary Gray in the future?

CC - I don’t want to spoil anything for you or future readers out there who want to give the book a try, but I can tell you that Alex has a dark path ahead of him.  As much as he tries, he can’t seem to get out of his own way.  There will certainly be more revealed on how Alex’s powers came be, the history of The Agency and their role in the larger scheme of things, plus some pretty epic battles!  Issue #6, which is coming out in November, is a particularly huge issue that will change the direction of the book and Alex’s life forever.  The first story arc is 12 issues total and I’ll be collecting it in two volumes.  In fact I just got the cover art for the first trade and I can’t wait to show it to everyone.  Definitely excited for the second half of the story to play out and get some reader reactions.  I don’t pull any punches.  Issues 7-12 will definitely up the ante.  I want to spoil it but I can’t!!

AB - Assailant Comics also has two other comic lines available:  Black of Heart and Sleepless.  What can you tell our readers of these stories?

CC - Sleepless is an anthology book with a “Twilight Zone” vibe.  Not necessarily horror, but definitely DARK.  Four short stories – a different artist lending their talents to each one.  Originally I wanted it to be an annual series released around Halloween, but I’ve been dragging my feet on the new issue and I’ve started looking toward next year’s schedule.  Part of that reason is Black of Heart – a five issue miniseries about a detective tracking a serial killer in 1949 New York City.  Absolutely a throwback to film noir and dark pulp mysteries, with the volume cranked up to 12.  The mixed media artwork by David Hollenbach (cover artist for Binary Gray) is every bit as creepy as it should be for a story about a killer who abducts women in a taxi before removing one eye and dumping their bodies in the rat-laden alleys of post-war NYC.   We just completed a very successful Kickstarter for the 2nd issue which released in August and the book has garnered a lot of good attention – even from pros like Charles Soule, Tony Moore and Tony Isabella.  I’m very thankful that the book has received that kind of response and I’m anxious to get Chapter Three out!  Lots of great twists around the corner and I like that Black of Heart includes some actual history in the context of the story.  I think it lends an extra layer of authenticity to the rich backdrop of that era.  I had to go to some dark places to write it, but I couldn’t be happier with outcome.



AB - You have a new comic series coming called Freedom Run.  What can we look forward to in this new line?

CC - I guess you saw the teaser on the Assailant Facebook page!  That’s good.  Hopefully that means I’m doing my job haha.  Freedom Run is actually the first story in a new series called “Open Tree – Legends & Tall Tales”, which features a new one-shot story in each issue.  Beginning, Middle and End – all in one book.  In some ways it’s the basic anthology concept of Sleepless in a slightly longer format.  I’m also reaching a bit outside the boundaries of what someone may think when they hear the name “Assailant Comics” – but each of the stories in Open Tree are thematically love stories.  Albeit, the first is a Supernatural Western – so there’s nothing traditional about it – but it is what it is.  The second issue is also in the works now with a completely different artist and style - it’s an original Tall Tale set in the 1900’s and all of the dialogue and narration rhymes.  It was a real challenge but also a great accomplishment and a lot of fun to write.  Definitely be on the lookout for these in 2014!

AB - You stated on Assailant Comics’ Facebook page that KokomoCon was your last event of the year until March of 2014. What are your plans during the winter months for Assailant Comics?

CC - Well there’s definitely some R& R penciled in, but beyond that I’ll be finishing up a new miniseries I’m collaborating on with artist Todd Beistel on called “The Weight of Air”.  Todd came to me earlier this year with the premise and I loved it right off the bat.  It follows an asthmatic psychic named Robert Gellman who’s working with a detective to find a serial killer in present day Hollywood in the middle of a record heat wave.  I know what you’re thinking – WOW another serial killer story?  But let me tell you that when this one is finished, I think people will be talking about it for a while.  I’d love to say more but I don’t want to ruin the surprise!   Keep an eye out for the first teasers coming early next year.

AB - If you were able to have one super power, what would it be? How would you use it?

CC - That’s tough!  It’s a toss-up between flight and invisibility.  Flight is an obvious one but if I could turn invisible I could sneak into banks and steal the money I need to keep funding my comics!  

We would like to thank Chris Charlton for giving us his time and providing us a glimpse at what Assailant Comics has to offer. Please check out the website at http://assailantcomics.com. There are digital and print copies of their comics available. Also be sure to check out Assailants Facebook page to see the teaser to Open Tree – Legends & Tall Tales. Next month, my review of the first four issues of Binary Gray will be posted for everyone.
 


Monday, October 28, 2013

REVIEW: Hinterkind #1


Writer: Ian Edginton
Artist: Francesco Trifogli
Cover: Greg Tocchini
Review: Arthur Black


Vertigo, would it be possible to have my $2.99 and sales tax back for this comic? I would also like to have the 20 minutes of my life back, which was spent reading this comic. The cover looks good and attractive, and it appears to have the right stuff in it. The closest comparison would be to grab a tobacco-chewers spit bottle (let’s say a Coke bottle) and take a drink unexpectedly. Once you get a taste, you want to ralph and look for someone to knock out. That is basically the feeling I had with the first issue of Hinterkind.

Greg Tocchini did a fabulous job on the cover of the comic. The tiger/ lion creature, called a ligon in the story, is very captivating standing above the title and other characters. Tocchini makes great use of earthy tones to set the mood of the story and setting before the cover is opened. This book is nicely wrapped crap.
The story starts with a pair of friends hunting a zebra. After the kill they hike it back to their home, which looks like a small village in the middle of a large plantation cut out of the wilderness. The friends are named Angus and P. Other than having grown a tail, Angus is not much of a character. We are not even given the privilege of knowing for which P is a nickname. Meanwhile P’s only position in the story seems to be following people around like a five year old whining “I want to go. I want to go.”

At a few various points in the comic, the writer is caught proudly quoting something called “The First Book of Monday”. Wondering what this was, I took to the net and found nothing concerning such a title other than another review of this comic. My reaction is what the fuck is wrong with the writer. Suspense is not created with stupidity. Use a prologue or a caption at the beginning or the end of the book to explain to what you are referring. No one likes to be strung along like that. Provide some information for your readers to have some understanding. Suspense is built on anticipation not ignorance.

Overall the story does not have a consistent flow. This coupled with poor character development has made this a horrible start to a series. There is no substance for readers to gain interest and is equal to starring at a sheet of paper toweling (the ones with pictures).

The artwork on the first page is fairly nice, but as you turn the pages you get the feeling of going downhill. Francesco Trifogli is not very consistent in his work, which leaves a random feel to the character’s features. My feelings resemble the scene from Men in Black II where K, Tommy Lee Jones, is working at the post office and holds up a package while stating, “Here is an example of go home and try again.” There are several panels where the color has faded stripes throughout the image. At first I thought this was a shadow effect, but after a couple of panels of this, I realized it was not. The stripes are not a problem with the printing as the stripes do not traverse the page or even the whole panel. These are either a hurried or careless coloring job by my estimation.

Vertigo should be ashamed of allowing such a low quality product leave their presses. Meanwhile the writer should be embarrassed of this shit. Even an amateur writer knows how to start a story to build an audience, and the biggest step is character development. Mr. Edginton tried to get too much into one issue and should have focused on central characters to allow a connection with the readers. Regardless of his reasons or intensions, the first issue of Hinterkind is crap and a waste of time.

Monday, October 7, 2013

REVIEW: Rat Queens #1


Writer: Kurtis J. Weibe
Artist: Roc Upchurch
Review: Arthur Black

THIS IS A PUBLIC GEEK ANNOUNCEMENT! For my fellow role playing game geeks in the world, a jewel of a comic has been bestowed upon us from the creative mind of Kurtis J. Weibe, writer of Grim Leaper and Intrepids (both from Image). Rat Queens #1 is just what we love to see, not only in a first comic of an ongoing series, but also in an adventuring group series. This book is already sold out of its first printing, so the first one will be hard to find, but if you missed the first, you will not want to miss the second. WARNING! Rat Queens is both addictive and funny.

Role playing games allow one to create a colorful, multidimensional character with a group of others, bringing the character to life through group interaction. Weibe does the same with the characters he introduces in Rat Queens, and does it very effectively.  Imbedded in the first book is a nice pointy hook that is now lodged in my stomach and will require surgery to remove.

In the comic, Rat Queens is the name of an adventuring group of four gals, who are working for the town of Palisade for pay and gain. Betty, Hannah, Dee, and Violet have also been found terrorizing said town with their drinking and hijinks. Each of the likeable girls has a very distinct personality that is brought out very skillfully, but I am sure that the vast majority of the role playing and comic geeks are going to just fall in love with Betty (pictured below). She is the hook of the book in my opinion. She is a smidgen (basically a halfling, kender, or hobbit depending on your choice of vernacular) rogue with a clever wit, open sexuality, and a craving for candy and drugs.

John ‘Roc’ Upchurch has done a great job on designing and drawing each of the Rat Queens. Although his style throughout the comic felt a little haphazard and rushed at times, he does do a decent job depicting the action and developing emotion throughout. There are certain panels that  show more detailed work in the comic, and they are exquisitely drawn. Roc is newer to the comic book scene and has done work on Vescell, also from Image. His artwork is great, and in my opinion, he has a remarkable talent in drawing the female figure. More of his work can be viewed on his blog site at http://johnnyrocwell.blogspot.com. I think we will see a lot more from Roc, and he and Weibe have a nice creation in Rat Queens.

Roc Upchurch also created the cover of the comic, and he did a fine job of it. In the lower right hand side of the cover, there is a pair of gloved glowing hands that are reaching up toward Betty. What the hell are those doing there? They do not seem to belong to anyone in the comic. Are they trying to feel Betty up? I am not sure why these hands seem to bother me so much, but they do. Maybe I missed something or there is another meaning. If anyone has any explanation to offer, I would love to hear it.

With rich, lovable characters, Rat Queens has the feel of a comic that is going to be with us for the long run. As I stated earlier, the hook is in my stomach and pulling me along. I love it when this happens.